New Choral Titles for Lent, Easter, Spring 2019

by Tim Shaw

As church musicians who must plan repertoire in advance, our thoughts are often a season or two ahead, and I think this is especially fitting during December. To have one ear in Christmas and the other ear in Easter reminds us of this profound truth: Christ Jesus “emptied himself, taking the form of a slave, being born in human likeness. And being found in human form, he humbled himself and became obedient to the point of death—even death on a cross” (Phil. 2:7-8, NRSV). Have you begun thinking about Lent/Easter music? Perhaps after all the holiday concerts and extra worship services are over, after the gifts have been opened, you’ll find some down time to plan for the next season. To help you, here are some excellent new resources for you to consider:

Lord, Who throughout These Forty Days (SATB, piano), arr. Linda Cable Shute

This setting of the English folk tune “The Turtle Dove” is a perfect pairing with the traditional Lenten hymn. The first stanza features beautiful two-part writing for women’s voices, with SATB writing on stanzas two and three.

Just As I Am (SATB, piano), David Barton

Challenge your choir with this stirring anthem that uses original music with an older text. Much of the writing is unison or two-part, and a Soprano solo sings the first stanza. The flowing piano accompaniment provides good support for the voices.

Jesus, Lover of My Soul (SAB, piano), arr. David Greatrix

Here is a lovely rendition of the Welsh tune “Aberystwyth” for three-part choir. The third stanza is a cappella but could be doubled by the piano. The soaring Soprano descant on the final stanza could also be played by a treble instrument.

For God So Loved the World (SATB, a cappella), Melchior Franck, ed. William Braun

If your choir is not accustomed to performing repertoire from the early Baroque, this piece is a great introduction to the period. With John 3:16 as its text, this anthem will find many uses throughout Lent and Holy Week.

When I Survey the Wondrous Cross (SAB, piano), John Carter

This original musical setting offers a fresh perspective on a classic. The third stanza quotes the tune “Hamburg,” and the part-writing is strong throughout. Even SATB choirs will enjoy singing this moving anthem.

Alleluia, Alleluia! Hearts to Heaven (SAB, piano, trumpet), Jason A. Heald

Set in a joyful, lilting 6/8 meter, this anthem is the perfect choice for smaller choirs (at an early-morning Easter service, or the Sunday following Easter). The vocal parts are easily learned, and the trumpet part adds a festive flare.

Good Christian Friends, Rejoice and Sing! (SATB, organ, opt. brass, percussion, assembly), arr. Jeremy J. Bankson

Open your Easter service with this dynamic setting of the tune “Beverly.” The assembly is invited to sing on the first and last stanzas, with a reproducible page included in the score. Be sure to book your Easter musicians now!

Posted on Dec 12, 2018 10:50:42 AM
Filed Under: Planning,

Tim Shaw

Written by Tim Shaw

Timothy Shaw was born and raised in idyllic Keene, New Hampshire. He studied theology and music (theory, history, composition, piano) in college and graduate school, and he has enjoyed a multi-faceted career as a composer, professor, music engraver, private teacher, author, and church musician. As a clinician and scholar, he has presented workshops, academic papers, hymn festivals, music reading sessions, and master classes at numerous conferences, churches, universities, and music societies throughout the United States. As a composer, he is the recipient of the 2019 ALCM Raabe Prize for Excellence in Sacred Composition. He has written extensively for the church and is published by Augsburg Fortress, Beckenhorst, Choristers Guild, Concordia, Fred Bock, Hope, MorningStar Music, Neil A. Kjos, and Shawnee Press. He also composes on commission, and he has written for David Kim (Philadelphia Orchestra concertmaster), Anne Martindale-Williams (Pittsburgh Symphony Orchestra principal cellist), and Abington Presbyterian Church (Abington, Pennsylvania), among others. Find compositions by Tim Shaw in the Augsburg Fortress Catalog or in Prelude Music Planner