Whether you have played one hundred weddings or three, you may dread playing Purcell’s “Trumpet Tune” or Pachelbel’s “Canon in D” even one more time. There is a reason couples keep choosing tried and true wedding pieces—they are good pieces of music that have lasted for centuries—but there are obviously many other options, and it’s helpful to explore them.

I recently commented to a friend that a singer in our church’s youth choir was the bravest young man I know. The last time he was in choir was before COVID, when he had sung treble beautifully. Now his voice has changed, and he is struggling to figure out how to work this new instrument, which feels and sounds so different. An additional challenge is that his peers are reluctant to join the choir, so he sings alone in the bass register. I admire his tenacity and his positive attitude, even when he makes mistakes. I say that he has courage. Merriam-Webster Dictionary defines courage as “mental or moral strength to venture, persevere, and withstand danger, fear, or difficulty.” Of course, singing in a choir is not dangerous, and he doesn’t seem to be afraid, but it is difficult for him.

This year, the festival of Pentecost falls on a holiday weekend in the United States. Memorial Day weekend signals the beginning of summer vacation, and many people choose to travel. As a church musician, I know that it is not wise to plan for a four-part anthem with brass quartet accompaniment on a Sunday like that. So how does one make a festival Sunday feel special when one has limited resources?

There are certain seasons that are inherently stressful, and we are currently in one of them. There were Christmases past in which it was difficult for me to keep the proper perspective. I felt overworked and underappreciated, and the added pressures I put on myself to have a beautifully decorated home and provide a “perfect” holiday for my family only produced feelings of personal failure and silent resentment toward others whom I believed had it easier than I. Does this sound vaguely familiar to anyone?

For everything there is a season, and a time for every matter under heaven …

The author of Ecclesiastes reminds us that there is a time for everything. How we choose to live in each of these times affects our own well-being and that of others. I can relate to this passage more as I have gotten older, and I can relate to it in my vocation as a church musician as well. Here are a few thoughts:

I take great care in selecting my organ preludes and postludes for each Sunday. A prelude prepares the gathered community for worship. Whether the listener prays, reflects, or simply listens, they are still an active participant, and, as such, I believe they deserve the best the musician can give them. Likewise, the postlude, as the last thing they hear on the way out of church, is an opportunity to lift their spirits as they reflect on the worship that just ended and prepare to go about their week.

How do you thank your music volunteers? The gifts they give are quite precious. Not even considering their varying talents, the hours alone they give are almost innumerable. Some churches honor their volunteer musicians with a special event at the end of the choir season. Perhaps you write special holiday cards or acknowledge individual birthdays.

My theme for this past year became flexibility. It took me some time to get there. I’m a planner. Any good church musician needs to be. Pre-pandemic, I planned my entire choir year in the summer before rehearsals started. Every anthem, every rehearsal, every worship service was organized around the lectionary, the school breaks, confirmation, and other youth activities. It was a puzzle I enjoyed working on, and it enabled the year to go smoothly. Sure, there were little bumps in the road, and I would make adjustments, but the puzzle pieces all fit. It worked until March 2020, when the puzzle fell apart. Actually, it wasn’t even a puzzle anymore; it was a whole new game. New feelings swarmed: fear, excitement, disinterest, exhaustion, and curiosity, to name just a few.

December 2020 will be like no other holiday season we have seen in our lifetimes. Gatherings are limited, and singing is prohibited. We church musicians are accustomed to being extraordinarily busy during this time, often to the point of exhaustedly cranking out notes and crossing each musical concert or service off our list. This Advent and Christmas, my schedule is drastically reduced. Is this a loss? Yes, but could it also be a gift?

Some directors dread doing musicals, and even avoid them. I direct both a Christmas and a spring musical every year, because I believe that the positive benefits of these performances are huge. I am well aware of the cons, the biggest of which is simply the work. A LOT of work! Depending on the musical, there’s dialogue, staging, costumes, sets, props, and choreography. I guarantee that there will be some aspect of undertaking a musical that will take you outside of your comfort zone. Here are some things to consider: