Within our congregations and personal lives, we have increasingly clear understanding of the ways our personal decisions around our use of resources matter. How can we carry this sense of stewardship into the planning and care we exhibit for resources of wisdom, people, talent, time, and connection in our worship services? Over recent years I have grown to plan anthems, service music, and other choir roles with a much clearer view of the “ecosystem” volunteer church choirs exist in. Intentional planning with this awareness has helped to provide increased comfort and musical consistency in the growth and leadership of my choirs, it has broadened our choral and congregational repertoire without (much) resistance, and it has helped to deepen theological and liturgical connections in an era of widely varied attendance patterns. Others have articulated well the introduction of new hymns into a congregation’s repertoire, so I will not repeat that process here but focus directly on choral leadership.Read More > >
Ten years ago this month, the most important premiere of my life took place. Piffaro, the Renaissance Band commissioned from me a concert-length Vespers.Read More > >
One of my favorite collections of songs for children is the book Sing the Stories of Jesus by John Horman and Mary Nelson Keithahn. It is chock-full of songs based on various stories from the Gospels, some well-known stories and some that are often overlooked. Several songs are simple enough to be used for Sunday School groups, but all are perfect for young singers in choirs. They cover events of Jesus' life from the angels' Gloria at his birth to Breakfast by the Sea after the resurrection. Instructions for teaching are included for each song as well as an accompaniment CD if you need it. Over time, I have taught and directed many of these songs, but I'd like to share the way I have taught, embellished, and performed four of my favorites from this collection.Read More > >
If you flip to the back of Evangelical Lutheran Worship in search of one of the indices, you might end up taking a quick tour through the Small Catechism first. Nestled between the daily lectionary and the copyright acknowledgments are the words every Lutheran has had to memorize (at least part of!) during confirmation class. Its physical presence in our primary worship book is a reminder that like the heritage of hymns, tunes, and liturgies contained in ELW, we are meant to carry these words with us as we worship, pray, and live faithfully in the world.Read More > >
The following post was written as helpful connection between the Association of Lutheran Church Musicians and Prelude. Choral Reading Sessions are a staple feature of ALCM conferences. Adam Hughes offers a helpful review of pieces he encountered this summer with suggestions on how they could be beneficial in your context.Read More > >
[Editor's note: While the summer sun is still high in the sky and Rally Day and the startup of choral seasons seem as though they are months away, you might want to carve out some time to begin to get organized for fall! Thanks to Anne Krentz Organ for writing these seasonal pointers, helpful whether you're highly organized or running last-minute. Either way, we're here to help with Prelude's ever-growing resources. Blessings to you in your music ministries this summer and into the fall.]Read More > >
Many thanks to Katherine Reier and Jennifer Baker-Trinity for the helpful suggestions that found their way into the paragraphs that follow!Read More > >
How many weddings have you provided music for over the course of your career? I stopped counting at fifty, but I would estimate I have played for over 200 weddings. Over the years, I have compiled a list of my “go to” repertoire, as, I’m sure, every church musician has done. In this post, I list tried and true piano pieces that I play often for wedding ceremonies. Some are easy, while others are more difficult. Consider adding some of these pieces to your own wedding repertoire, if you do not already include them. All of the sacred pieces are available for download through Prelude Music Planner. Most of the classical pieces are in the public domain and are available for free through the International Music Score Library Project (www.imslp.org). Hyperlinks are included to IMSLP webpages where you can print PDF files of the music.*Read More > >
A focused choral camp or retreat for young musicians is a great way to get a program year off to a healthy start. Consider a music camp Monday through Friday for 2-3 hours each day, or a daylong retreat on a Saturday before the school year resumes.Read More > >
“Poet, painter, music-maker, all your treasures bring …”
—David Mowbray, “Come to Us, Creative Spirit” (ELW 687, st. 2)
Throughout this anniversary year, many of our congregations have been invited into deeper engagement with aspects of the Reformation’s musical heritage, both in thought and practice. Venerable chorales have been clothed in fresh arrangements and gathered in collections such as Anne Krentz Organ’s Piano Reflections on Chorale Tunes and Karl Osterland’s A Wittenberg Collection: Lutheran Chorales for Organ. In the 2017 edition of Sundays and Seasons, Mark Mummert reminds us how the Hymn of the Day originated and why it remains central to the assembly’s proclamation. Those who participated at this year’s Institute of Liturgical Studies met around the theme, “Liturgy Serving The Life of the Church: How Worship Re-forms Us.” The Association of Lutheran Church Musicians will hear plenaries at their July 2017 conference about “Re-forming Congregational Song” and “Re-Membering the Role of the Cantor.”
Though this is a blog devoted to musical planning, we musicians do well to remember that a thoughtful anniversary commemoration should also engage the Reformation’s artistic heritage. In addition to musical decisions, many of us carry some responsibility for choices about visual art—bulletin covers, posters, Facebook banners, newsletter articles—seen by both lifelong congregation members and first-time visitors. While we like to cite Luther’s musicianship and his awareness of music’s pedagogical and formative power, we sometimes forget that he was equally attuned to how the Word is proclaimed in ways that engage the eyes. In Wittenberg, he was a close friend of the artist Lucas Cranach the Elder, 1472–1553, and heavily involved in the production of his writings by the Wittenberg presses. In 1518, after receiving proofs for one of his publications, Luther complained to a friend that, “it is printed so poorly, so carelessly and confusedly, to say nothing of the bad typefaces and paper”!(Andrew Pettegree, Brand Luther: 1517, Printing, and the Making of the Reformation, 140)
The print revolution of Luther’s time is not unlike the digital revolution of our own: decisions about the placement of words and images in blogs, e-newsletters, bulletins continue to require thoughtful care, for each offers an invitation to encounter the holy. In her 2004 book The Substance of Things Seen: Art, Faith, and the Christian Community, Robin M. Jensen reminds us that “no matter how we respond” to visual cues, we emerge from those encounters “slightly or significantly different” from simply having given them thought. In his 2007 book Graphic Design and Religion: A Call for Renewal, Daniel Kantor places decisions about visual elements alongside the monastic tradition of manuscript illumination. He writes that both illuminators of generations past and graphic designers of the present “teach us that the communications of one’s faith are still worth of our best efforts and brightest talents,” that “the hospitality of visual grace can become prayer for both maker and viewer.” (There’s also a great story about the physical design of Evangelical Lutheran Worship in Kantor’s introduction!)
Like our musical selections, we are blessed with an abundance of visual choices that assist proclamation of the gospel across Sundays, seasons, and festivals of the church year. As you prepare to enter the time after Pentecost, perhaps you can give thought to ways in which the Spirit has worked through visual art, be it oil paint on cardboard or bronze sculpture. These are not mere decorations, but essential tools for drawing focused attention to the central symbols in our midst and images in the lectionary. In addition to resources such as the Evangelical Lutheran Worship Graphics CD-ROM and Eileen Crowley’s A Moving Word: Media Art in Worship (a contribution to the Worship Matters series), you might consult some of the following books, articles, and websites in order to build a library of visual art that speaks best to your context. And if choices about visual art are not part of your “official” responsibilities, perhaps you can share these resources and begin a conversation with other worship planners and leaders in your setting. Like Bezalel and Oholiab, let all of us be filled with “with divine spirit, with ability, intelligence, and knowledge in every kind of craft, to devise artistic designs, to work in gold, silver, and bronze, in cutting stones for setting, and in carving wood, in every kind of craft” (Exodus 31:3–5). Or, as we sing in Evangelical Lutheran Worship, “in our worship and our living keep us striving for the best” (ELW 687, st. 4).
Books and Articles
- DeBoer, Lisa J. Visual Arts in the Worshiping Church. Grand Rapids, Michigan: William B. Eerdmans, 2016.
- Jensen, Robin M. The Substance of Things Seen: Art, Faith, and the Christian Community. Grand Rapids, Michigan: William B. Eerdmans, 2004.
- Kantor, Daniel. Graphic Design and Religion: A Call for Renewal. Chicago: GIA Publications, 2007.
- Ozment, Steven. The Serpent and the Lamb: Cranach, Luther, and the Making of the Reformation. New Haven and London: Yale University Press, 2011.
- Potter, John. “Reformation 500: 50 Reformation Artworks.” Living Lutheran, 17 April 2017.
Databases and Collections
- Art in the Christian Tradition (Vanderbilt Divinity Library)
- Bowden Collections
- Sacred Art Meditations (John A. Kohan)
- The Text This Week, Art Index
- Cerezo Barredo
- Tanja Butler
- Mary Button
- Paul Granlund (sculptor)
- Laura James
- James B. Janknegt
- Rafael Lopez
- Libuse Lukas Miller